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Griffin nodded. "Tabby March, you know. The young woman who paints pussies. Used to go here three years ago, before she'd arrived. She was a wild one, I can tell you.",

"Ju's got the idea from her last thriller that the Dutchman who used to live at Greycroft buried his treasure somewhere about the place," explained Patricia to Griffin. "I suppose she'll spend her time grubbing this summer.",

Her languid Creole nature and lethargic habits were unsuited to brisk, practical England, and she hated the gray skies, the frequent absence of sunlight and the lack of rich and sensuous coloring. Often she threatened to return to Barbadoes, but she was too lazy to make the effort of again settling herself in life. With all her longings for the fairy islands of the West, it seemed as though she would end her days in gray and misty England. But she was out of place in this northern land, and so was Dido.,

Great was the dismay throughout the countryside when it became known that Maurice Alymer had been murdered. The dead man was well known in drawing-room and in hunting-field, so that there was hardly a person of consequence in the county who could not claim at least a bowing acquaintance with him. Moreover, Maurice was one of those men who are always popular, and much sympathy was manifested for his untimely death. Also the mysterious way in which he had come to his end, the absence of any known motive, and the knowledge that the deceased had no enemies--all these thing's combined to raise public curiosity to the highest pitch. The inquest on the dead body was awaited with much anxiety.

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Patricia's eyes filled with the ready tears as she caught the look on Judith's thin face, raised in adoring admiration to the great Winged Victory that stood poised at the top of the wide flight of stone stairs, showing triumphant in the misty light that seems to fill all great indoor spaces.,

Elinor thanked her with pretty gratitude.,

Elinor, who had been quietly going on with her breakfast, laid down her fork.,

Elinor smiled and her shining eyes traveled down the wide dim corridor with its rows of battered gray lockers, past the confusion of chairs and easels that clustered around the big screen of the composition room, straight into the farthest nook of the great bare work rooms beyond, where an array of heroic-sized white casts loomed conspicuous in the cold north light above the clutter of easels, stools and drawing-boards that encompassed the silent, intent workers.